![]() ![]() ![]() Because the CMaj7 does not have a 9th, 11th or 13th we do not know what key it is in, and therefore we can use both scales over this chord. ![]() Notice that both scales contain all the notes that comprise the CMaj7 chord. Because a CMaj7 chord (C E G B) does NOT have an F in it, you can use the following two scales to improvise over it:. ![]() And the key that they are in depends on the previous and subsequent chords in the progression. For this reason it is possible to play multiple scales over the same chord (if the chord is not a 13th chord). But this means that chords NOT extended all the way out to the 13th are slightly ambiguous because they are missing a few chord (and therefore scale) notes. So a 13th Chord is it’s own diatonic scale. So, then these are the scales that you would use to improvise over these chords.īelow is a table of all the Major and Melodic Minor modes and their equivalent chords (plus two extra scales) Mode
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